Another movie for "My Letterboxd Season Challenge 2019-20", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." Week 17 is called "Golden Lion Week":
One of the three major film festival awards (the other two being the Palme d'Or at Cannes and the Goldener Bär, or Golden Bear from the Berlin IFF), the Golden Lion, or the Leone d'Oro, is the highest prize a film can receive at the Venice International Film Festival. Introduced in 1949, the Golden Lion represents the Lion of Saint Mark, which had appeared on the flag of the Republic of Venice when it was a sovereign state, and is one of the highest awards achievable in the film industry.
This week's challenge is to watch a previously unseen Golden Lion winning film.
One good thing about the Letterboxd Challenge is that I see movies that aren't ordinarily in my wheelhouse. In fact, I'd never heard of Sacro GRA before.
One bad thing about the Letterboxd Challenges is that I sometimes see movies I don't like. And now that I've not only heard of Sacro GRA but seen it, I can say I didn't like it.
Gianfranco Rosi spent two years filming on the Grande Raccordo Anulare, a highway that encircles Rome. Another 8 months were spent editing. The result was a series of short vignettes of various people who live in the vicinity. They all get multiple appearances, but honestly, I didn't learn anything from the third time as I did on the first. The EMT guy was nice, the father/daughter living in a small room were OK, the guy who fished for eels was a guy who fished for eels, the guy who checked for bug infestation in palm trees was obsessively scientific. Any one of these people might have made an interesting half-hour short. Spreading their "stories" over 90 minutes without spending more than 10 or 15 minutes on any particular person results in a film that is barely worth saying awake for. I have no idea why it won a Golden Lion.