The movie version of Hair occupies an odd place in both movie history and U.S. cultural history as a whole. When the stage play came out (1967 Off Broadway, 1968 Broadway), it was well-received by critics and garnered two Tony nominations (it lost to 1776). It ran for 1,750 performances on Broadway, and 1,997 performances in London. The original Broadway cast album sold 3 million copies and won a Grammy. Various companies toured ... it arrived in San Francisco in 1969, and some of my friends went to see it.
I didn't go with them. I was a purist hippie-wannabe, and didn't understand how hippies could be accurately represented in a Broadway play, which seemed like the antithesis of hippie. (For what it's worth, I probably still think that.) Like some old Get Offa My Lawn geezer, my 16-year-old self was cranky about the existence of Hair.
Now I've finally seen Hair. Aficionados will point out that the movie version isn't the same thing. As Wikipedia points out, "The film's plot and soundtrack both differed greatly from those of the original musical stage play", adding that the creators claimed "Any resemblance between the 1979 film and the original Biltmore version, other than some of the songs, the names of the characters, and a common title, eludes us". This is not the first time a stage play has been changed on its way to the screen; I just point this out to clarify that when I say I've seen Hair, I mean the movie.
The film Hair was released in 1979, long after the period Hair recreates. I may have been suspicious of the original, but clearly many people saw it as an accurate representation of the times, the music, the people. They were operating within the frame of the play ... there was no distance, it was a story about the present. Forman can't do this, because 1979 isn't 1968. He tries to recapture 60s by offering a version of a version. Hair wasn't the 60s, it was a play about the 60s (a Broadway musical, ferchrissake), and the movie isn't a version of the 60s, it's a version of a Broadway musical about the 60s. I can be forgiven for thinking the movie Hair has about as much to do with the 60s as Happy Days had with the 50s.
I will seem silly, but a few minutes into the movie, I thought to myself, "This is a musical!" Duh, to be sure, but that was just one more reason I wouldn't like it, and for some reason that hadn't occurred to me.
Can I be at all fair to this movie? Probably not. The best I can do is point out the things I liked. I've always been a fan of "Aquarius/Let the Sunshine In", the 5th Dimension hit, although again, I knew less than I realized ... I thought the two songs belonged together, and was surprised to find that "Aquarius" was the opening song while "Let the Sunshine In" was the closer. In between were a lot of forgettable songs. The "famous" ones don't fare much better. Awhile ago, when talking to my six-year-old grandson about silly songs (he knew plenty, he's a kid, I wanted him to appreciate that we had silly ones, too), I gave as an example "Good Morning Starshine", a hit for Oliver that was truly stupid ("Glibby gloop gloopy, Nibby Nabby Noopy, La La La Lo Lo. Sabba Sibby Sabba, Nooby abba Nabba Le Le Lo Lo. Tooby ooby walla, nooby abba nabba, Early mornin' singin' song"). I didn't know if came from Hair ... I really was clueless about all this. Anyway, it's just as stupid "in context".
As for the performers, Treat Williams is defeated by a truly awful wig (ah, the irony). Ren Woods does a find job with "Aquarius". It was fun seeing performers who are still well-known ... Annie Golden from Orange Is the New Black, Richard Bright (Al Neri in the Godfather movies), Charlotte Rae from The Facts of Life. Not much, really, to get me through two hours.
I did find the finale (apparently one of the things changed completely from the original) at first stirring and then inspiring, but then, I'm not sure you can fuck up "Let the Sunshine In" ... I once saw the drag group Sluts-a-Go-Go sing it, incense burning, at the Mabuhay Gardens and it brought a tear to my eye:
Here's the hit, minus the two hours in between: