I am aware of Oasis, and I don't hate them. I barely have an opinion about them, but I know they were a big deal and I should probably come up with an angle. For me, they were a few great singles at a time when I was getting older (I turned 40 in 1993) and my ability to "keep up" with new music was lessening. I was confused about why Oasis was compared to The Beatles. I was probably in the same place as Robert Christgau, who wrote later:
One of the many things I never got about this band was where the Beatles were. Where was the ebullience, the wit, the harmonies, God just the singing, and, uh, the songwriting? Cotton Mather made me understand that when Oasis say they love the Beatles they really mean they love the post-Help!, pre-Sgt. Pepper Beatles. Since that span encompasses Rubber Soul and Revolver, many would say tally ho, but (a) not me 'cause I love the Beatles start to finish and (b) only if you're writing songs as good as, uh, "We Can Work It Out."
This is coming out too negative. Mostly I'm trying to explain why I am more clueless about Oasis than I should be.
Their biggest hit was "Live Forever":
Maybe I just want to fly
I want to live I don't want to die
Maybe I just want to breathe
Maybe I just don't believe
Maybe you're the same as me
We see things they'll never see
You and I are gonna live forever
In the following video, Noel Gallagher talks about writing songs, pre-and-post fame. "When I was writing in the early days of Oasis, I was in the same circumstances as the audience. You're writing for the people that are coming to your gigs. And then there will come a period where the big checks arrive."
He wrote "Live Forever" pre-fame, when he could say, "Maybe you're the same as me."
This video is from the YouTube series Hot Ones, a current obsession of mine. The never-wrong Wikipedia tells us that "Its basic premise involves celebrities being interviewed by host Sean Evans over a platter of increasingly spicy chicken wings." The trick is two-fold: the hot sauces make the celebrities increasingly vulnerable, which opens them up to an arguably more honest conversation, and Sean Evans is an excellent interviewer, always well-prepared with great questions. This week's guest in Noel Gallagher, and to be honest, it's a so-so episode ... I wondered if I should post it here since newbies might decide the show isn't any good. But it's Music Friday, so here you go:
Here is one of the best episodes, where Halle Berry shames every other participant with her Hot Ones greatness:
Finally, since this is Music Friday, here is fellow Manchester native A Guy Called Gerald, mentioned by Noel in his episode:
Just read an article about Impossible Burgers (disclosure: I haven't eaten one yet). In "Impossible Foods’ rising empire of almost-meat", Chris Ip tells the story of Impossible Foods, which among other things will be making an "Impossible Whopper" for a Burger King in St. Louis:
Something in the story took me back to this one time when I dropped acid ... would have been early-70s, I guess. It starts with this video:
At one point, the Director of Research for Impossible Foods explains that flavor comes to us in part via our nose ... the nose "tells you what you're eating". It was that point which led to my "acid flashback". As is often the case with seemingly mundane events that happened when I was tripping, I can remember this as if it were yesterday.
I was sitting at the dinner table at home ... I was living there, as were my three youngest siblings. We were eating hot dogs, and I had done some psychedelics. I was holding a hot dog with no condiments, staring into space, trying to act "normal" so Mom and Dad wouldn't suspect anything. One sibling passed the mustard across the table to another sibling. I could smell mustard as it crossed my line of sight. And then, suddenly, I could also taste the mustard, just as I would have if I'd put it on my hot dog in the first place. I smelled it ... I tasted it.
Now I know that was science at work. Or nature, not sure what to call it, exactly.
Every year on New Year's Day, Homemade Cafe gives a free drink to anyone who comes dressed in their pajamas. My wife takes them up on it each time. Here we are this morning:
I revisited In the Mood for Love after watching an episode of the late Anthony Bourdain's series, Parts Unknown. I watched Bourdain at the encouragement of a friend who had asked me to do so earlier this year when Bourdain died. He specifically suggested the Hong Kong episode, and I finally got around to it. I get recommendations from people all the time, and sometimes it takes me forever to get to them ... a couple of weeks ago I watched a DVD someone had given me a few years ago, for the first time. It takes forever ... but I keep track, and I do get to them eventually. (Hint: the comments section is always a good place to make requests.)
I know very little about Anthony Bourdain. I know he died. I know he was partners with Asia Argento. What I know of his work comes completely from when he wrote for Treme. I also knew nothing of the series Parts Unknown. Honestly, I thought it would be a food show and nothing more.
Well, it was great. And when it began, and I heard music that sounded a lot like In the Mood for Love, I was instantly happy. Then I found out Christopher Doyle, long-time collaborator with Wong Kar-Wai and the co-cinematographer for In the Mood for Love, is in the episode. Watching Doyle, I couldn't believe I'd never encountered him anywhere but behind the camera, so to speak. I love his work, and left it at that. To find out he is such a character fascinated me. Of course, I had to look him up, and found that he is famously rambunctious. I felt at times that I was watching a camera-toting Keith Richards, and liked finding out that he has called himself the Keith Richards of cinematographers. Like I say, I can't believe it took me this long to learn about him as a person.
There are things I don't think I quite get, given I am coming to Parts Unknown cold. It was a bit creepy knowing this was the last episode shown before he died. It was also creepy knowing Asia Argento directed it, given her own recent problems. I guess I'm lucky I found it, since apparently CNN removed her episodes from their streaming site.
I often think, when watching food or travel shows, that I wish I was adventurous. I don't like to travel to unfamiliar places, and my taste in food is notoriously narrow. Seeing Bourdain wandering around HK and eating any damn thing they put in front of him reminds me of how limited I am.
I admit, this didn't make me want to immediately watch more of the episodes of the show, but it did make me want to watch In the Mood for Love yet again. That film was #38 on my Fifty Favorites list of a few years ago. At the time, I wrote:
In the Mood for Love is a perfect title for this movie. The two main characters are most definitely in the mood; they also don't ever get beyond being in the mood. Repressed emotions have rarely been so charged as they are here. While on one level, "nothing really happens," Wong Kar-wai does a great job of making us anticipate what is about to happen. Of course, our expectations go unfulfilled.
This time around, I think I better appreciated why some people wouldn't love the film as much as I do. The haunting waltz that is played throughout the film might simply seem repetitious, and those unfulfilled expectations might just be irritating. Not for me, I must add. As beautiful as the film is to look at, it takes an extra leap because of its stars. As I once said, "The plot, whereby a man and woman discover that their respective spouses are having an affair, isn’t particularly far-fetched. But they are played by Tony Leung Chiu Wai and Maggie Cheung, two of the best-looking actors in the world, and you can’t help wondering why anyone lucky enough to be married to them would have a roving eye." Ultimately, I'm not sure In the Mood for Love felt different when seen partly through the filter of the Bourdain show. But the two make a perfect, if tragic, pairing.
Here is an interesting video essay on the movie from "Nerdwriter1":
It has turned out just about how I expected, although I didn't think it would take until I was 64 for it to happen.
Cannabis becomes "legal" in California on January 1. The San Francisco Chronicle included a 40-page pull-out section, "Green State", with information, awards, and (who'da thunk?) lots and lots of advertising.
They called my hometown, Berkeley, the "Best Cannabis City":
Berkeley blazed the trail to safe access to medical cannabis nearly two decades ago, and in 2017 set the curve for implementing recreational legalization locally. They were the first city in the state to create a pathway for its dispensaries to sell recreational marijuana in the New Year — part of a history of firsts. Berkeley adopted organic-like standards for medical cannabis years before the state considered it. The city was the first to formalize rules mandating free medicine for low-income folks, and Berkeley helped champion the entire dispensary model before patients had any stores to shop at. Personal gardeners and cannabis fans also enjoy some of the most relaxed rules in the state, making the East Bay city arguably the Best Cannabis City in California, if not the world.
And they gave an award to a favorite edible of mine, Kiva Confections:
The California edibles scene is extremely crowded, but sitting pretty at the top of them all is Kiva Confections. Founded in a San Leandro kitchen in 2010, Kiva now has 85 employees and a 13,000 square-foot factory in Oakland that serves 1,000 stores in California alone. Co-founder Kristi Knoblich Palmer hand-selects the company’s chocolate from wholesalers, and Kiva makes its own cannabis extract from cannabis trim that’s been tested for 280 pesticides. The hand-crafted, artisanal chocolate bars come in multiple flavors and strengths, and the chocolate-covered espresso beans and blueberries have garnered multiple awards and fans.
I'm fond of those espresso beans.
So, let's see. Special sections in the newspaper? Advertising featuring the cannabis industry? Awards? Did I mention advertising? Yep, it's pretty much how I expected it to be.
I'll be honest. I've never liked hunting down dealers, so although I've been smoking since I was 15 or so, I rarely have any lying around. And when medicinal became legal, I was too lazy to get a patient card. But on January 1, all I have to do is go to the dispensary.
I want to call Al “Jazzbo” Collins a local legend, except “local” is hard to define. His long radio career included extended stays in New York, San Francisco, Los Angeles, Pittsburgh, and many smaller areas, most in the greater San Francisco Bay Area. Besides radio, he was briefly a host for The Tonight Show when they were looking for a new person (they eventually decided on Jack Paar). He had a morning TV show in San Francisco in the early-60s. He even cut a few records, hip fairy tales they were called:
His radio shows, no matter the station, were always broadcast from “The Purple Grotto”, several floors underground. His theme song was “Blues in Hoss Flat” by Count Basie:
Starting in 1959, he was on KSFO in San Francisco. They (and he) played my parents’ kind of music, and hey, I was only six. It wasn’t exactly a “normal” show:
His shtick with the Mexican banditos from The Treasure of the Sierra Madre, well, I don’t know how it started. But if you were a guest on his show, you had to get “majuberized”, which meant you had to recite the quote from the movie. (Later in his career, he had a call-in talk show, and people would call solely to get majuberized.)
Then he added that morning TV show, and it was a joy, even for a tyke. Memories are tricky things, but among the stuff he did, I can remember this little toy where you put a coin in it and a little hand came out and grabbed the coin and pulled it inside. Jazzbo loved crepes, and he was always having a chef making crepes on live TV.
Eventually in, I think it was the late-70s, he ended up with a call-in talk show. The channel, KGO, had nothing but talk shows, and reached all along the West Coast at night. Once in awhile, someone would call in berating Jazzbo for not talking about politics, but he would kindly explain that his show was a little different.
It is here where we finally get to the grasshopper pie. As always, Jazzbo loved to talk about his favorite foods, and he frequently spoke of how much he loved grasshopper pie. He’d talk about the recipe ... you started with grasshoppers ... I can’t really remember it very well, and I had never heard of grasshopper pie, but he got my attention as I drove home from the factory after midnight.
Eventually, I figured out that the pie was based on a cocktail my mom used to make called “grasshoppers”. I thought for a long time that grasshoppers were fairly traditional ... I mean, my mom made pitchers at home ... but apparently it’s one of those remnants of post-war American culture, and they went out of fashion. I haven’t had a grasshopper since I was old enough to drink legally (admittedly, I don’t go to bars just looking for the cocktail). But once, 30+ years ago, I was on a jury, and the city paid for our lunch. We went to some fancy restaurant in Oakland, and on the dessert menu was Grasshopper Pie. I had to order it, see what it tasted like, and yum!
Here is a video showing how to make “real” grasshopper pie:
And here’s a bartender making a cocktail:
My mom made hers in a blender.
So now you know my personal history with grasshopper pie. It turns out there’s a restaurant in Oakland that has grasshopper pie on the dessert menu, so my wife and I went there for dinner. The restaurant is called Homeroom, and they pretty much only serve macaroni and cheese. We both got the “classic mac”, and it was delicious (also v.good microwaved the next day ... the servings are huge, you can’t finish one). Then I ordered grasshopper pie for dessert:
It was yummy yummy. It wasn’t “real” grasshopper pie, and I knew in advance ... in place of crème de menthe and crème de cacao, they used chocolate mint ice cream, and apparently, this is standard nowadays. It tasted like a really good Baskin-Robbins cake. The taste was like a real grasshopper if it didn’t have alcohol.
Of course, I had to tell our waitress all of this. I wasn’t surprised she knew nothing of the cocktail, but I admit I felt very old when she said she had never heard of crème de menthe. Even my wife, whose parents didn’t drink like mine, had crème de menthe on the shelf when she was a kid, to pour on ice cream.
Anyway, I’m satisfied now. I hope Jazzbo heard about it in the Purple Grotto.
Here’s a link to an article about the cocktail:
Checking the shelves at a local chain drug store for some yummy treats, I came across a mini-box of my favorite cereal of all time, Cap’n Crunch. This delicious cereal was introduced in 1963, when I was 10 years old. Here is the very first commercial for Cap’n Crunch, created by former Berkeley resident Jay Ward, the animator who gave us such great characters as Rocky and Bullwinkle, Dudley Do-Right, Sherman and Mr. Peabody, and George of the Jungle. (A baby-boomer Hall of Fame.)
One sign of the times is that they promoted the cereal as “sugar sweet” ... at least they kept the word “sugar” out of the name, meaning it is still called Cap’n Crunch, just as it was in 1963. (Other cereals were not so lucky, resulting in name changes as times changed ... to the best of my knowledge, you can still buy Sugar Puffs, Sugar Smacks, Sugar Pops, Sugar Crisp, and Sugar Frosted Flakes, to name a few ... you just won’t see those names on the boxes, the word “sugar” being removed.)
The commercial also notes the importance of “crunch”. Cap’n Crunch is true to its name ... it is indeed quite crunchy. The ad tells us that this is because it stays crunchy, even in milk. My wife, who can’t stand the stuff, points out that the crunchiness, combined with the shape of each morsel, means you hurt the roof of your mouth with every bite.
The ever-trustworthy Wikipedia tells us that Cap’n Crunch actually has roots in something almost traditional, despite the aura it gives of being concocted in a lab out of sugar and chemicals:
Pamela Low, a flavorist at Arthur D. Little and 1951 graduate of the University of New Hampshire with a microbiology degree, developed the original Cap'n Crunch flavor in 1963—recalling a recipe of brown sugar and butter her grandmother Luella Low served over rice at her home in Derry, New Hampshire.
Grandma would make this concoction with rice and the sauce that she had; it was a combination of brown sugar and butter. It tasted good, obviously. They'd put it over the rice and eat it as a kind of a treat on Sundays...
—William Low, Pamela Low's brother
All due respect to my own grandmothers, who were wonderful women, but I think Luella Low belongs in the main wing of the Grandmother’s Hall of Fame.
Wikipedia lists more than two dozen offshoots of the original cereal, beginning with Crunch Berries in 1967, but I always saw them as interlopers. My Cap’n Crunch never needed to be tarted up with berries and such.
I had a bowl last night. I was as delicious as ever.
I’m not posting here, I’m sleeping odd hours … it’s like I never returned. Here are a few photos to fill space. Paella at Ayo’s:
I forget what this was called on the menu. It was enormous (the plate in this picture is about the same size as the plate in the previous picture):
Robin’s favorite place in all of Nerja: