rocco and his brothers (luchino visconti, 1960)
halt and catch fire

shadows in paradise (aki kaurismäki, 1986)

This is the first official film I have watched in "My Letterboxd Season Challenge 2019-20", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." Week 1 is called "Past Hosts Week":

Starting off strong with a tribute to our past hosts. Without Monsieur Flynn, we wouldn't have the Season Challenge, and without kurt k, we wouldn't be as far along as we are now. Typically this type of challenge takes place towards the end of the season, but since this is an anniversary year, it seemed fitting to have it front and center.

This week's challenge is to watch a previously unseen film from either Monsieur Flynn's Movies to See Before Your End Credits list or kurt k's Personal Canon list.

I like to think my movie viewing is pretty varied, but this week's film is a great example of what I hope to gain from taking part in this challenge. Shadows in Paradise is from Finland. In 2012, Yle, the Finnish national public broadcasting company, came up with a list of the best Finnish films of all time. Until I watched Shadows in Paradise, I had never seen a movie on that list. Clearly, the Season Challenge has helped me expand my horizons.

Actually, I have seen another Finnish film, Le Havre. As it turns out, that movie came from Aki Kaurismäki, the director of Shadows in Paradise. So I have now seen two films from Finland, both by the same director.

Much of what I wrote about Le Havre holds true here, as well:

A slight film that proudly displays its seemingly humble story.... Kaurismäki trusts in the essential humanity of his characters … no one is perfect or even particularly successful ... The humor in the film is so deadpan I barely noticed it, but that’s in keeping with the low-key charms of the movie. And the tone is far from the kind of dreary realism the above might suggest. In fact, there is a level of romance and fantasy that Kaurismäki wouldn’t get away with if he weren’t so skillful at making us like his characters without feeling manipulated.

Slight, humble, human, deadpan, low-key ... all can be said of Shadows in Paradise. I missed a lot of the humor, which is the norm for me, but David Thomson got off a good line when he wrote, "Kaurismäki can be very funny—so long as no one laughs." There are no laugh-out-loud moments, and no one smiles, much less laughs, in the film. But it somehow skirts dreariness, even though the main characters seem ready to break out of their admittedly dreary lives. Kati Outinen felt new to me, although it turns out she was in Le Havre, as well. She has an interesting, non-actorish face, and she was one of the best things about Shadows in Paradise. The movie goes by in only 74 minutes ... I was going to say "breezes by", but that's not an accurate description for how the movie plays. I liked it without being bowled over by it, which may be precisely what Kaurismäki was after.

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