I’m familiar with Kiarostami because of his great film, Close-Up, which totally snuck up on me when I saw it. He won’t get that advantage again … I’m ready for excellence from the start. It helped Kiarostami that I held that earlier film in such high regard, because Certified Copy is so annoyingly tricky that I might have given up on it if I didn’t have positive expectations. I’m glad I stuck with it.
Close-Up had more layers than a dozen other movies. As I wrote at the time, “It’s all based on a true story … a man impersonates a noted filmmaker, is caught and tried for fraud, and another filmmaker, Abbas Kiarostami, becomes fascinated by the story and films a documentary (Close-Up) as the trial takes place. There is footage from the actual trial (I think, anyway), but there are also re-creations of the events in the case. And in those re-creations, the actual people involved play themselves.” Certified Copy, a fictional film, is layered in a different way. The central theme is the relationship between an original and a copy, and whether a copy can be the equal, or even better, than the original. William Shimell (an opera star making his film acting debut) plays a British author who has written a book, Certified Copy, about this topic. Juliette Binoche plays … well, now I’m venturing into the spoiler zone. When we first meet her, she is attending a talk by the author.
The way Kiarostami uses layers here make the notion of spoilers irrelevant. I could tell you what “happens”, but it is never clear if what is happening is “original” or a “copy”. (I know this doesn’t make sense, and it isn’t even a particularly accurate description of the “plot”, but it’s the best I can do without giving a full plot summary with analysis.) Suffice to say that the relationship between the two main characters is never made entirely clear, which makes Certified Copy something of a puzzle movie. But the setting is a lot like Linklater’s Before movies … the two leads wander around an Italian town, jabbering away, and at times they seem to be playacting for other characters who cross their paths, and they always seem to be playacting for the audience … but then, isn’t that what actors do?
Honestly, I’m not sure what the heck was going on. But Binoche and Shimell are great together, and easy on the eyes, as well. #156 on the They Shoot Pictures, Don’t They list of the top 250 films of the 21st century. Best companion piece would be the Before Trilogy.