Like Someone in Love was one of the last pictures from the noted Iranian filmmaker Abbas Kiarostami (Where Is the Friend's House?, Close-Up, Certified Copy). While I have only seen a small portion of the many films from Kiarostami, I've never seen one I didn't like, and Close-Up was probably the best film of 1990. Kiarostami filmed Like Someone in Love in Japan with a Japanese cast speaking Japanese, and you'd think the result would be a bit distanced from Japanese culture. But it actually has the feel of a Japanese film ... Ozu is often mentioned in discussions of the movie.
Like Someone in Love features three primary characters: Akiko (Rin Takanashi), a college student who also works as a call girl, her boyfriend Noriaki (Ryô Kase), and an elderly client (Tadashi Okuno). According to Kiarostami, Tadashi "had earned his living in film for 50 years, but had never uttered a line. He was a professional extra." It's an interesting piece of casting ... Tadashi Okuno was not an amateur, but he had a self-effacing presence that make his character feel natural in his imperfections. There is something resembling a plot, but you don't come to the movie wondering "what happens next". The forward progression of the film derives from the gradual unfolding of the characters as we learn more about them. However, it's never clear if the characters see themselves as progressing. We are on the outside, watching them, and from that we get the distancing I mentioned earlier.
There is a lot of dialogue in Like Someone in Love, and much of the film takes place indoors, in cramped environs. Nothing seems very private. We are stuck in close quarters with the characters, even as we as an audience are distanced from the people we see on the screen. In one remarkable scene (like many, it takes place inside a car), Akiko listens to a series of voicemails from her grandmother, which we hear, but Kiarostami shoots from outside the car, through the windows.
Like Someone in Love was shot entirely in digital, and the look can be distracting for those of us who still expect movies to look like film. In any event, the cinematography is impressive throughout. #403 on the They Shoot Pictures, Don't They list of the top 1000 films of the 21st century.