This is the eighth film I have watched in "My Letterboxd Season Challenge 2022-23", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." This is the 8th annual challenge, and my fourth time participating (my first year can be found at "My Letterboxd Season Challenge 2019-20", the second year at "My Letterboxd Season Challenge 2020-21", and last year at "My Letterboxd Season Challenge 2021-22"). Week 8 is called "Road Movies Week":
This week's challenge is to watch a previously unseen road movie.
TransSiberian is reminiscent of other movies, purposely. First-time director Brad Anderson (who also co-wrote the screenplay) has cited several influences, including Strangers on a Train and Runaway Train. There's nothing wrong with this ... Anderson shows good taste if nothing else ... while the general thrust of the picture is generic, Anderson tosses in enough twists to maintain interest. What matters more is that Anderson gradually builds tension, until it's nearly unbearable (in a good way). I found myself gritting my teeth as the movie progressed.
The cast helps. Emily Mortimer plays a been-around-the-block American who gets caught, Hitchcock style, in something big to which she isn't to blame, and Anderson gives her character perhaps the biggest plot twist, which cranks the film into another gear. Woody Harrelson has said that he based his character on an autistic version of his character on Cheers. "I kind of thought, what if he were 'Woody,' but a version of Woody that's really into trains?" It's a perfect description of what he gives us here. Kate Mara is touching, and if Ben Kingsley and Eduardo Noriega are a bit too easy to figure out in advance, they are nonetheless effective.
TransSiberian doesn't necessarily raise itself above the standards for its genre, but it's good enough that you don't care.