Another movie for "My Letterboxd Season Challenge 2019-20", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." Week 20 is called "Alternate Oscars Week".
The past couple years, the week before the Oscars has been saved as a Best Picture nominee category for that year's awards. But following last year's supreme blunder of a Best Picture winner, I say we skip the normal category (at least for this year) and check out some films that should've won instead. According to Danny Peary, of course, who suggests that the Academy usually gets it wrong anyway.
This week's challenge is to watch a previously unseen film from Danny Peary's Alternate Oscars: Best Picture list.
This was a bit tricky. When Week 20 came around, I couldn't find anything from Peary's list that I hadn't seen and was available for streaming. So I watched The Beast of Yucca Flats, which was my Week 32 pick, and at the time I thought I'd be in Spain by then and wouldn't be able to watch it on schedule. Whatever ... it's confusing, but it explains why I'm watching the Week 20 movie on Week 32.
I am a fan of Steven Spielberg's. I think I've seen more movies directed by him than by any other director, and I liked most of them. Four are canonical for me (Jaws, Close Encounters of the Third Kind, Raiders of the Lost Ark, and E.T.), a couple of others come close (Indiana Jones and the Temple of Doom and Schindler's List), and many more I would watch again in a second (especially Minority Report). Only Hook was a stinker; for the most part, I find Spielberg reliable, and not just in a good-but-not-great way, because more than once he has given us greatness.
For me, Empire of the Sun is in the middle. There are some great moments ... face it, Spielberg specializes in Great Moments ... and Christian Bale, 13 years old and at the beginning of his career, is tremendous. As I have often said, when we see a great performance by a child, at least some credit needs to go to the director for eliciting that performance. (It's fine to say Bale turned out to be a great actor, but he was an unknown at the time of this movie.) Still, the film felt long (it is long, at 153 minutes, and I felt every one of those minutes). I'm not sure what could have been cut ... the various segments were all important, and the length gave the movie the feel of an epic ... there were multiple "almost endings" that were a bit much, but I may be nitpicking.
The thing is, I was aware when Spielberg was going for one of his Great Moments, but I wasn't awed by them the way I was in, for instance, Close Encounters. Despite its epic nature, Empire of the Sun is essentially a coming-of-age story that takes place in a notable historical period. I don't know how Spielberg could have done better ... trying to combine the intimate story of a boy becoming a man with World War II isn't easy.
Cinematographer Allen Daviau got a well-deserved Oscar nomination for his work here (Daviau sadly died just a few days ago). Everything in the movie is professional at the highest level. But the one thing that makes it stand out is Christian Bale.
This is almost a brilliant scene. The Americans have finally come to save the day, and Bale's character, Jim, who loves airplanes, is overcome with joy. It's beautifully shot, and Bale delivers. It is peak Spielberg. But then here comes the inevitable John Williams score, and while it is meant to reflect the grand emotions of the moment, it's just piling on. Spielberg couldn't resist.