This is the twenty-third film I have watched in "My Letterboxd Season Challenge 2020-21", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." This is the 6th annual challenge, and my second time participating (last year can be found at "My Letterboxd Season Challenge 2019-20"). Week 23 is called the "Tangerine Dream Week".
You know how every film nowadays seems to go for that retro synth sound aesthetic? Well these folks are a big reason why that's a thing. As a German electronic band, Tangerine Dream lent their musical style to a number of films that gave the 80s its signature sound.
This week's challenge is to watch a previously unseen film with a soundtrack by Tangerine Dream.
I can't say this was a disappointment. I can blame myself for an uninspired pick. I could have picked Michael Mann's Thief with James Caan, or William Friedkin's Wages of Fear remake Sorcerer. Instead I chose The Switch, directed by Bobby Roth. Roth has had an interesting career, directing countless TV series and movies. He has also done a few independent films, a couple of which I have fond memories of (The Boss' Son and Heartbreakers). Most importantly for my purposes, it turns out The Switch was a TV movie, and it shows. It doesn't look cheap ... Roth is an efficient pro who makes good use of what in retrospect are clearly only a few sets, and the cast is full of underrated actors, many known mostly for their television work (Gary Cole, Craig T. Nelson, and Max Gail, not to mention Kathleen Nolan, who starred on The Real McCoys and was later president of the Screen Actors Guild, and Hinton Battle, who had a memorable appearance in the Buffy musical Once More, With Feeling). Beverly D'Angelo has a fairly substantial part, although for some reason she is uncredited. Put it all together, and there is no reason why The Switch would be a bad movie. And that is true ... it is not a bad movie.
I can't go much further, though. It begins with the dreaded words, "based on a true story", which never bodes well. It's the story of Larry McAfee (Cole), who is quadriplegic after a motorcycle accident. At first, he fights for the right to end his life ... by the movie's end, he has found meaning and wants to live. (Ironically, McAfee died a couple of years after the movie was released.)
Roth and company do what they can, but they are held back by the realities of television in the early 90s. Nowadays, we're used to productions like Game of Thrones, with big budgets and bigger ambitions and big-screen cinematography, but The Switch has the 1.33:1 aspect ratio then standard for TV, and Roth makes extensive use of closeups, I'm guessing because in 1993, with our small TV screens, closeups wouldn't seem oppressive, but in fact be welcomed.
The is nothing wrong with The Switch, and the people involved gave it their best. No one seems to be just cashing a paycheck. Beyond that, there is no particular reason to run out and watch it.
If you can't resist, her is the entire movie on YouTube:
Oh, and Tangerine Dream? I suppose the soundtrack was OK ... I didn't really notice it, to be honest. On the other hand, it was hard not to notice the appearance of Bruce Springsteen's "Human Touch" a couple of minutes in.