african-american directors series: neptune frost (saul williams and anisia uzeyman, 2021)
call me by your name (luca guadagnino, 2017)

creature features: werewolf of london (stuart walker, 1935)

Universal's first stab at the werewolf genre, six years before Lon Chaney Jr. in The Wolfman. While movies like Dracula, Frankenstein, and The Invisible Man were based on literary sources, Werewolf of London was basically invented out of thin air (it was the first feature-length werewolf movie). Much of the lore we think of when werewolves come to mind was invented here.

Werewolf of London is one of the few early Universal monster movies I had never seen. Like the others, it's quick, wasting little time getting to the good stuff. The makeup wherein the doctor turns into a wolf is similar to what Chaney Jr. underwent for The Wolfman. It's OK "for its time", even if it seems old-fashioned now. Overall, it's an OK film but no classic, eventually replaced in our minds with the version Chaney Jr. gave us. Henry Hull, who plays the lead, had a long career, with his last movie coming in 1966 (one of my favorites, The Chase). Valerie Hobson, who was Frankenstein's wife in The Bride of Frankenstein, once again plays the scientist's wife (she was 18 years old, working opposite much older men). Warner Oland, a Swede who played Charlie Chan in many movies, is also in The Werewolf of London ... he died a few years later. And Spring Byington turns up (in the 1950s, she starred in the radio/TV series December Bride).

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