ant-man and the wasp (peyton reed, 2018)
music friday: the rock and roll hall of fame

geezer cinema: wild rose (tom harper, 2018)

I am a fan of acting. Even a poor movie can feel worthwhile if there is a good performance to be seen. Oddly, though, I don't usually decide to watch a movie because one of my favorite actors is in it (and I have a lot of favorite actors, so many that it's something of a running joke at our house).

I have liked Jessie Buckley in everything I have seen her in. I thought she was a saving grace in I'm Thinking of Ending Things, a movie I didn't like. She was one of the best parts of the fine movie The Lost Daughter, and even better in the even more fine movie Women Talking. She was fun in the TV series Fargo. What I didn't know is that she is also a singer. Not a singer like, say, Gwyneth Paltrow, who is an actor with a fine voice, but a singer who first drew attention at the age of 18 when she was runner-up on a British talent show contest to see who would play Nancy in a revival of Oliver!:

I have watched the following clip on YouTube more times than I can count, and it's the reason why, although I was already a fan of Buckley, I decided to watch a movie she starred in, without knowing anything about the film:

Wild Rose tells the story of a young singer from Glasgow with a love of country music. She's got problems ... two kids before she was 18, a year in jail for a heroin-related crime. Her dream is to go to Nashville to hit it big. The film is a bit of an oddity ... the home life plays like kitchen sink realism at times, but the story is fairly generic. As with most such movies, it rises and falls on the performance of the lead, and Buckley is more than up to it. It's the kind of role that people call star-making, and certainly she's been busy in the subsequent five years, including winning a Laurence Olivier Award for Best Actress in a Musical last year for her work as Sally Bowles in a West End revival of Cabaret. I wouldn't say she's a household name, yet, but hey, she's only 33. Meanwhile, kudos to director Tom Harper, writer Nicole Taylor, and the legendary Julie Walters, among others.

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