revisiting the 9s/geezer cinema: the shape of water (guillermo del toro, 2017)
Thursday, February 16, 2023
[This is the twelfth in a series that will probably be VERY intermittent, if I remember to post at all. I've long known that while I have given my share of 10-out-of-10 ratings for movies over the years, in almost every case, those movies are fairly old. So I got this idea to go back and revisit movies of relatively recent vintage that I gave a rating of 9, to see if time and perspective convinced me to bump that rating up to 10. Of course, it's always possible I'll drop the rating, but time will tell.]
I'm on a bit of a roll, having watched Guillermo del Toro's Pinocchio just a few days ago. That movie inspired me to return to The Shape of Water. When I first watched it in 2020, I wrote:
The Shape of Water resembles The Creature from the Black Lagoon, only with Cocteau's Jean Marais as The Beast. Del Toro finds inspiration in low-budget genre fare, but his visual sense moves far beyond what those pictures offer. While del Toro's vision drives the movie, ultimately it is the acting that raises The Shape of Water to another level. Both Sally Hawkins and Doug Jones do remarkable things while missing a crucial element in acting ... Hawkins' character is mute, while Jones is Amphibian Man. Hawkins only "speaks" using sign language, Jones barely speaks at all, but the bond they form as they communicate is what makes The Shape of Water a fitting choice for a "Modern Love Week". Hawkins' face is a wonder.
All of which is true, and having watched it again, I can only reiterate that I really do have a bias against giving modern films their ultimate due. The Shape of Water is a clear 10/10, it was a 10/10 when I first watched it, and I've really got to give up on this notion that a new movie can't be given classic status.
This time, I was primed to catch the Fred-and-Ginger reference near the end of the movie. These two clips demonstrate the connection:
I have now seen all but one of del Toro's features, and he one of my favorite directors. The Shape of Water ranks with Pan's Labyrinth as his masterpieces.
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