all quiet on the western front (edward berger, 2022)
tár (todd field, 2022)

sign of the gladiator (guido brignone, 1959)

This is the eighteenth film I have watched in "My Letterboxd Season Challenge 2022-23", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." This is the 8th annual challenge, and my fourth time participating (my first year can be found at "My Letterboxd Season Challenge 2019-20", the second year at "My Letterboxd Season Challenge 2020-21", and last year at "My Letterboxd Season Challenge 2021-22"). Week 18 is called "Sword and Sandals Week":

This week's challenge is to watch a previously unseen Peplum film.

As I have said many times, when it comes to bad movies, the most interesting things are usually the ones that aren't actually on the screen. Sign of the Gladiator (I've seen multiple titles for this one ... Nel segno di Roma is the original title, and in the U.S. it's also known as Sheba and the Gladiator ... did I mention there are no gladiators in this movie?) has Sergio Leone's name among many listed as writers. Director Guido Brignone got sick during the making of the film, and Michelangelo Antonioni did some uncredited work while Brignone was unable to be on set. I stumbled onto the film by accident ... the challenge was to watch a Peplum film, but the one I originally chose turned out to only be available in a Spanish dub, which seemed wrong considering the genre. So, Sign of the Gladiator.

"Peplum" is another way of saying "sword-and-sandal", and you know the genre even if you've never seen one. Hercules is the main character in many, and in others, Hercules has a different name because the film makers didn't own the rights to "Hercules". In truth, Sign of the Gladiator is a bit of an anomaly ... the only big battle scene comes at the end, and most of the movie consists of backroom skullduggery between Rome and Palmrya. And there's romance, which leads to the female lead, who played Zenobia, queen of Palmyra. She was Anita Ekberg, and I guess the studio decided if Anita Ekberg was in their movie, there better be some romance. Ekberg is an interesting person on her own, famous for splashing in a fountain in La Dolce Vita. As much as anything, she is the reason to watch the movie. But don't take that as a recommendation. If you are dying to see Ekberg, watch La Dolce Vita or Boccaccio '70.

Here's a brief clip from the English dub:

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