inside the mind of a cat (andy mitchell, 2022)
mr. harrigan's phone (john lee hancock, 2022)

thirst (park chan-wook, 2009)

This is the fifth film I have watched in "My Letterboxd Season Challenge 2022-23", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." This is the 8th annual challenge, and my fourth time participating (my first year can be found at "My Letterboxd Season Challenge 2019-20", the second year at "My Letterboxd Season Challenge 2020-21", and last year at "My Letterboxd Season Challenge 2021-22"). Week 5 is called "K-Horror Week":

This week's challenge is to watch a previously unseen film from the K-Horror film.

Thirst comes with a solid pedigree. Director Park Chan-wook is a master of Korean horror (his Oldboy is as good as it gets). The male lead, Song Kang-ho, is recognizable to many viewers here in the U.S. for his roles in films like Parasite, Snowpiercer, and The Host. And the female lead, Kim Ok-bin, a young actress near the beginning of her career, gives and award-winning performance that matches Song, scene for scene.

If we are to believe Park, the plot was influenced by Émile Zola's 1867 novel Thérèse Raquin, and it makes sense. Except Zola wasn't writing about vampires. Song plays a devout Catholic priest who takes part in an experiment to try and find a vaccine for a deadly virus. The experiment fails, but the priest gets a blood transfusion that leads him to sinful thoughts, including but not limited to drinking blood. He has lustful feelings for the wife (Kim) of his childhood friend, she shares those feelings, and then ... well, I've already told too much of the plot. Part of the fun of Thirst is seeing just how far and off-the-wall Park will go. Suffice to say that once Kim starts having feelings, she nearly steals the movie.

I won't lie ... the plot gets loony at times. You could make an argument that Thirst is style over substance, although the priest's religious conflicts are taken seriously in what is nonetheless often pretty funny. It's not quite as good as my favorite vampire movie, Near Dark, but it's the equal of a much different vampire film, Let the Right One In.


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