music friday: talking heads 1978
geezer cinema/film fatales #151/african-american directors series: the woman king (gina prince-bythewood, 2022)

our mothers (césar díaz, 2019)

This is the first film I have watched in "My Letterboxd Season Challenge 2022-23", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." This is the 8th annual challenge, and my fourth time participating (my first year can be found at "My Letterboxd Season Challenge 2019-20", the second year at "My Letterboxd Season Challenge 2020-21", and last year at "My Letterboxd Season Challenge 2021-22"). Week 1 is called "Central American Independence Week":

This week's challenge is to watch a previously unseen film from one of the following countries: Costa RicaNicaraguaHondurasEl Salvador, or Guatemala.

Our Mothers comes from Guatemala, and tells the story of the trials of the soldiers who committed atrocities against the people during the Civil War. While the trials are always in the background (and eventually come to the front), the central story is of a young forensic anthropologist who thinks he has found his long-lost father who fought for the guerillas.

There in an inherent drama in this story, and the acting has an honesty that deepens the audience's involvement. But César Díaz, who also wrote the screenplay, seems intent on making a movie devoid of sensationalism. An honorable intent, letting the actors and the narrative convey the seriousness of what we are seeing. But the film is too often flat ... it could have used a little sensationalism. Events unfold slowly, and at only 78 minutes, there isn't much time to get to the core of things. The final scenes feel rushed, and we haven't been properly prepared for them. Again, Díaz is to be praised for treating his characters as human beings who have already been exploited too much. But the impact of Our Mothers is dampened.


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