Gradually, I am catching up to the work of Jean-Pierre Melville. Of course, he's been dead for almost 50 years, but better late than never. Le Cercle Rouge is my fourth Melville movie, and it's not just that I liked them all, it's that they are all very good indeed. Bob le Flambeur, Le Samouraï, Army of Shadows ... hard to pick a favorite amongst them. Le Samouraï in particular was a big influence on John Woo.
Le Cercle Rouge is another strong film. It was Melville's penultimate film ... he died in 1973. He wasn't well-served in the U.S. Le Samouraï, made in 1967, didn't make it to the U.S. until 1972, in a poorly-dubbed version titled The Godson (guess what hit movie had recently been released). Army of Shadows won multiple awards on its release in the USA ... almost 40 years after its initial release. Le Cercle Rouge, which runs 140 minutes, was released in America in a truncated version missing more than 40 minutes.
Le Cercle Rouge is a heist movie, and the actual heist is almost half-an-hour long and features no dialogue. (It's very tense, as you can imagine, but I also confess that at one point, what seemed to be a stationary camera focused on ... well, I don't know what. It took me about a minute to realize the Blu-ray was stuck.) I've seen a lot of Alain Delon's movies and they are all good-to-great. As I wrote about Purple Noon, "Alain Delon seems to intuitively know what makes a movie actor. It is rare that you see Delon doing anything ostentatious, and in those rare occasions, he is serving the script. For the most part, he watches others, learning how to become them in the manner of a chameleon, while his physical beauty grabs our attention no matter who or what else is on the screen."
I might start with Le Samouraï or Army of Shadows, but Le Cercle Rouge is equally worth your attention. #580 on the They Shoot Pictures, Don't They list of the top 1000 films of all time.