At this point, reviews of Ron Howard movies write themselves, i.e. I can just cut and paste from earlier reviews and it will make perfect sense. He has made movies I liked OK (Cinderella Man, Frost/Nixon) and movies I really didn't like (Apollo 13), but I've never loved any of them. I once wrote of Howard, "Ron Howard is the great disappearing director of our times. He doesn't make bad movies, he doesn't make great movies. He makes movies that get 6 out of 10 and he makes movies that get 7 out of 10. In other words, I don't have the slightest idea what Ron Howard brings to a movie." And about Cinderella Man, the story of boxer James Braddock, I wrote, "When asked why he fights, Braddock says it's to keep milk on the family table, and there's Ron Howard in a nutshell ... while this movie has tiny pretensions towards statements about poverty, they are overwhelmed by sappiness, and the sap is never, ever balanced with even a bit of knowing irony ... Ron Howard believes in that glass of milk."
Not all Ron Howard movies are sappy, and as I say, once in a while he makes a good movie. But there is no way to tell in advance, because Ron Howard's directing is anonymous.
Rush is about the rivalry between two Formula One drivers in the 1970s, Niki Lauda and James Hunt. I admit I knew nothing about either driver, or about Formula One racing in general, which actually helped in a way ... I didn't know how the rivalry would turn out, so that aspect of the film had suspense for me. The movie centers on their relationship more than it does on the racing ... the racing is the background for the relationship, rather than the other way around. Hunt and Lauda are different kinds of people striving towards the same goal, and those differences drive the film (no pun intended) in good ways. The racing scenes seem realistic, although we're constantly being told by a track announcer what is happening, because it isn't always clear the way it is during a horse race. There are some women characters, but they are very secondary ... this isn't about them, except as they fit into the lives of the racers. Daniel Brühl and Chris Hemsworth give appropriate performances as not-too-perfect heroes. The editing of Dan Hanley and Mike Hill is effective, as is the score by Hans Zimmer.
There is no reason not to see Rush. It's appealing, it's not boring, it's got Thor. It's just that I've about given up hope that a Ron Howard movie will ever be better than "no reason not to see it".