This is the eighteenth film I have watched in "My Letterboxd Season Challenge 2021-22", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." This is the 7th annual challenge, and my third time participating (my first year can be found at "My Letterboxd Season Challenge 2019-20", and last year's at "My Letterboxd Season Challenge 2020-21"). Week 18 is called "One-and-Done Week":
At least no one can say they didn't try. Though the reason behind some of these single directorial filmographies may be apparent upon viewing, there are certainly a number of filmmakers who left us wanting more after just one outing. A fun, grab-bag experiment.
The story goes that Howard Hawks and Ernest Hemingway were fishing together, and Hawks told Hemingway he could make a good movie out of Hemingway's worst book, which Hawks said was To Have and Have Not. The resulting film was a hit. Maybe it came from a bad novel, but it had Howard Hawks as a director. It starred Humphrey Bogart and Lauren Bacall, with a supporting cast of everyone from Walter Brennan to Hoagy Carmichael. At one point, William Faulkner came in to work on the script. Even coming from a poor source, Hawks and Warner Brothers could produce something fun.
Some 20 years later, Sterling Silliphant, who had written mostly for television and who later won an Oscar for Best Screenplay, met a man named Harold P. Warren. Warren, an insurance and fertilizer salesman, bet Silliphant he could make a horror movie all on his own. Silliphant took up the bet. Now, Warren wasn't Howard Hawks. Warner Brothers wasn't bankrolling the affair (Warren got the money together himself, eventually getting $19,000). With such a low budget, he couldn't pay the cast or the crew, so he gave them a cut of the hoped-for profits. Warren also saved money by directing, writing, producing, and starring in the film. With no budget for cast or crew, Warren wasn't going to get Walter Brennan or Hoagy Carmichael, so the rest of the cast was culled from local talent. The result, Manos: The Hands of Fate was no To Have and Have Not ... instead, it regularly makes Worst Movie Ever lists.
It was the only movie Warren ever directed ... I'm pretty sure it was the only movie any of the people associated with it ever made. It is godawful. It's not worth the time to list everything that is wrong with the movie. It's impossible to see any vision that Warren might have had, the way Ed Wood movies, bad as they were, often were recognizably Ed Wood movies. There isn't a single moment worth watching.
The film was mostly forgotten ... heck, it only had a few local screenings in 1966. But then it turned up as an episode on Mystery Science Theater 3000, and it became an "instant" cult classic. Even if you are not a fan of MST3K, you'll probably find their version more watchable than the original, Because the original was just that bad.