Holy Motors is one of the most acclaimed movies of the 21st century, ranked #11 on the They Shoot Pictures, Don't They list of the top 1000 films of the21st century, and #285 on their all-time list. Director Leos Carax is an icon of his era. I had only seen one of his movies prior to Holy Motors, Mauvais Sang, which I saw so long ago I hadn't even begun this endless blog yet (I don't remember why, but apparently I didn't like it). Holy Motors has an intriguing, cultish cast, not just Denis Lavant (ever-present in the films of Carax) but also people like Eva Mendes and Kylie Minogue. Best of all is Edith Scob, who was an icon herself for her appearance in Eyes Without a Face:
In Holy Motors, Scob, who by that time was in her 70s, plays a limousine driver who takes a man on various "appointments", in the manner of Mr. Phelps in the Mission Impossible TV series. Carax loves to make reference to films he has loved, and ... spoiler alert ... in the last scene, Scob's character puts on a mask that looks like the one from Eyes Without a Face. Honestly, the mask in the Carax film seems pointless, but it was nonetheless my favorite part of the entire movie.
Holy Motors is not the kind of movie you come to hoping for a clear narrative, or even a narrative at all. It consists of a series of scenes (of the "appointments") that are connected by the presence of "Mr. Oscar" (Lavant), who is (or may be) an actor. For each appointment, he changes his look (he has an entire makeup and costume workspace in the limousine) and takes part in some event that may (or may not be) "real". Lavant is remarkable, it is true, and a few of the appointments are more interesting than others.
Champions of Holy Motors speak to its visual beauty and innovative structure. And Carax is rewarded for not doing the same old thing as everyone else. Manohla Dargis wrote, "It’s an episodic work of great visual invention — from scene to scene, you never see what’s coming — that reminds you just how drearily conventional many movies are."
Holy Motors is in the time-honored tradition of Movies That Are Not for Steven. It seems that Carax has gotten exactly what he wanted from the film, which is more rare than it should be, and which deserves praise. I can't say Holy Motors is bad, which might imply incompetence, and Carax is in full control. I can only say that I didn't much like it.