Definitely a case of Eat Your Vegetables. I never found myself involved in Sátántangó ... OK, I laughed a couple of times, which I suppose is something, although two laughs in 7 hours and 19 minutes doesn't qualify as a laff riot. Yes, I know Sátántangó isn't meant to be a laff riot. I'm just looking for something to say about a movie I'd heard so much about, that I finally got around to watching, and as I expected, it's in the Terrence Malick Genre of Movies That Accomplish What the Film Makers Set Out to Do but That Aren't Meant for Me. (Factoid I didn't know: Malick is 12 years old than Béla Tarr.)
Seriously, this movie was never meant for me, and I can't dismiss it just because I didn't like it. So if you think you'd like to see a 439-minute example of Slow cinema, or if like me you are a wannabe completist who absolutely needs to see the 109th-best movie of all time according to the They Shoot Pictures, Don't They website, then by all means, go for it. Here's a tentative place to start, a Letterboxd list I just created filled with Slow cinema movies:
Or, if you want to start with Slow movies I loved, check out L'Avventura or 4 Months, 3 Weeks and 2 Days (some would argue these two movies are not Slow cinema), or Jeanne Dielman, 23, Quai du Commerce 1080 Bruxelles (which most definitely is Slow cinema).
There was one segment in Sátántangó that I found objectionable far beyond the "Tarr is accomplishing what he set out to do" angle. I knew from reading about the film that there would be a scene where a girl tortures and kills a cat. I wasn't prepared for the actuality, though. As I wrote on Facebook, "The cat scenes were far worse than I expected after reading about them and also reading an interview with Tarr. What a bunch of shit ... oh, we didn't hurt the cat, we had a vet there, blah blah blah. When she put the cat in a mesh net, the cat didn't look like it wanted to be a movie star as it struggled to escape. When she forced the cat's face into the milk, the cat wasn't having any fun. But it's all OK, because it's Art."
In honor of Phil Dellio, I have to post this highlight from the film, since he has used it many times as a way to convince me ... well, not sure what, but it worked, I did finally watch the movie.