Well, I finally found out what all the excitement was about. We actually had a plan to see this in London, but then travel kinda took a back seat to the pandemic. Honestly, I wasn't too sad that we missed it ... I didn't have high expectations, by which I mainly mean no matter how good it was, I doubted I would like it.
I take it back. Hamilton was much better than I expected. One problem is that most Broadway "rock" musicals are far more Broadway than they are Rock, and I thought Hamilton would be the same for rap. But in this case, it felt right. It took me awhile to get used to the rhythms of rapping dialogue, and in the end, I'm not sure this was "authentic" rap or hip hop, anymore than Hair was "authentic" rock. But for whatever reason, I ceased caring somewhere along the way. I can't say I remember any of the songs, although if I spent some time with the soundtrack, that problem would probably solve itself.
It was fun recognizing a few members of the cast, especially Oakland's own Daveed Diggs. I admit I didn't realize Aaron Burr was played by Leslie Odom Jr. (Sam Cooke from One Night in Miami), but he was good, too. But ultimately, it's Lin-Manuel Miranda who astonishes. He wrote the music, lyrics, and script for Hamilton, while playing the title role. The play won a Pulitzer Prize and 11 Tonys. Hell, the cast recording spent ten weeks atop the rap charts.
What we watched was a filmed version of the stage play, with the original cast. It was straightforward ... there was no attempt to "open up" the play, it was just a document of an actual performance. Miranda and director Thomas Kail had a few tricks up their sleeves ... they shot three different performances and edited them seamlessly into one. But this was a play as much as it was a film.
I never thought I'd say it, but Hamilton was a highlight of the year.