This is the eighteenth film I have watched in "My Letterboxd Season Challenge 2020-21", "A 33 week long challenge where the goal each week is to watch a previously unseen feature length film from a specified category." This is the 6th annual challenge, and my second time participating (last year can be found at "My Letterboxd Season Challenge 2019-20"). Week 18 is called "Contemporary Performers: Tilda Swinton Week".
Some actors are true chameleons, absorbing themselves into whichever role is thrown their way with a very high success rate. And I think its safe to say that one of the best modern examples of this talent is Tilda Swinton. She truly is a pleasure to see very time she shows up on screen, and fits pretty much any mold gracefully. Plus, she's involved in a healthy mix of mainstream pictures and smaller titles, so plenty of options to see her work.
This week's challenge is to watch a previously unseen film starring Tilda Swinton.
In 1988, Cynthia Beatt directed a semi-documentary short, Cycling the Frame, that featured Tilda Swinton riding a bicycle around the Berlin Wall. A year later, the Wall came down. Twenty years after that, Beatt and Swinton returned to Berlin and took a similar bike ride, albeit this time traveling on both sides of what used to be the Wall.
Tilda Swinton has such a unique presence that you could imagine watching her in anything, good or bad, and finding it intriguing. But does that extend to a movie that consists of 60 minutes of Tilda riding a bike? Well, it's only 60 minutes. It's unusual, and not clearly a documentary ... Swinton speaks in voice over, but it appears she's reading from a script. I haven't seen Cycling the Frame, and nothing in The Invisible Frame made me want to check out the earlier work. It might have been more interesting if I had a sense for where Swinton was at various times. As it is, I never knew which side of the "Wall" she was at from one scene to the next. So I'm left with an hour of Tilda Swinton riding a bike.