Cameraperson consisted of documentary cinematographer Kirsten Johnson putting together 25 years of leftover footage to create what she called "her memoir". Her innovative sense of what might make a good movie hasn't left her. Dick Johnson Is Dead is a movie about her aging father Richard, who is gradually falling into dementia. She suggests to her dad that they make a movie filled with scenes of him dying in various silly/cinematic ways, and he thinks it's a fine idea. At this early point, he seems fully capable of agreeing to the project.
We see an air conditioner fall on his head. We see him fall down stairs. We see him get stabbed in the neck, as blood spurts onto the street. In each case, we also see how things are done, with a crew and, especially, stunt men on hand. It's hard to explain why this seems so amazing ... it sounds like she's exploiting her father, but he's in on the joke and having a great time. When he finally gets too sick to really offer consent, she quits the fake deaths.
The relationship between father and daughter is both moving and funny, as is the movie as a whole. Johnson the daughter also concocts scenes of her dad rising up to heaven, and even gives us a fake funeral, which is so well done that one of Dick's great friends breaks up in tears as he gives a eulogy. Like Tom Sawyer, Dick gets to watch his own funeral, finally making a triumphant appearance to a standing ovation.
Kirsten Johnson was working as a cinematographer back in 2001, but didn't direct her first theatrical feature until Cameraperson in 2016. With that film, and now Dick Johnson Is Dead, Johnson has shown the ability to put remarkable, idiosyncratic ideas on the screen. Her recent movies are so interesting, you can't help but wonder what she might have come up with in those years she worked solely behind the camera. I found myself thinking about all of the people behind the scenes in movies ... how many of them might be holding onto something as unique as Johnson's films?