Steven Soderbergh seems to be a Geezer mainstay lately ... this is his third movie to be featured in Geezer Cinema, after Contagion and Logan Lucky (all picked by my wife, which is interesting because she doesn't usually pick a movie based on the director). It's the first one starring Gina Carano, and that makes a big difference, because Haywire is as entertaining as those other movies, and Carano is a big reason why that is true.
Soderbergh interests me because he combines two things I find to be rare: he knows what he is doing, and he can please an audience. Some great filmmakers out there know what they are doing, and how to get their vision on the screen, but I don't usually like their movies. And there are crowd-pleasing directors who are workmanlike at best. Soderbergh can do the art film thing as well as anyone, but he's never been afraid of genre pieces, and you would never say he was workmanlike. So films like Logan Lucky and Haywire work on many levels. Haywire admittedly isn't trying for profundity, but you appreciate pretty much everything he does here.
I often write about my pet peeve with modern action films, that they don't bother orienting the viewing. Soderbergh doesn't make that mistake ... all the action scenes are clear (the plot is not so clear, but really, does it matter?). He also plays to the value in his star ... there isn't much gun play, not a lot of car chases, just Carano kicking a lot of ass. Her background (she was once called "the face of women's mixed-martial arts") makes her fight scenes a lot more believable than when, say, little Sarah Michelle Gellar as Buffy steps aside and lets her stunt person do the fighting. Her co-stars (of which more in a minute) all testify to her ability to kick their asses in real life. I haven't seen her in anything else, but she has worked steadily since Haywire. Reading some of her fans, it would appear that some of her later directors didn't understand her appeal ... there's no reason to give her a gun, that's a waste, like giving Jackie Chan a magic tuxedo. Carano is also easy on the eyes, and her acting is good enough (apparently some of her dialogue was dubbed by Laura San Giacomo).
Another plus when Steven Soderbergh is involved is that actors seem to climb over themselves to be in his movies. Despite Haywire being a genre piece with a budget of only $23 million, the cast is amazing: Channing Tatum, Michael Douglas, Antonio Banderas, Ewan McGregor, Michael Fassbender, Bill Paxton. A good portion of those stars get their asses kicked by Carano in the movie.
You go into Haywire expecting an OK trifle, and yeah, it is a trifle, but it's more than OK, and a welcome surprise.