kamau right now: the state of the 2020 election
film fatales #77: even the rain (icíar bollaín, 2010)

music friday: high fidelity the series

High Fidelity the TV series is yet another version of Nick Hornby's creation. The trick here is that the lead character, a man in both the novel and in the 2000 movie with John Cusack, is now a woman played by Zoë Kravitz. The show is never a simple gender flip, but it still needs mentioning, since Hornby is sometimes considered the first "lad lit" writer. At least as important, though, is the updating of the story to 2020 (if nothing else, the idea of a show focused on a store that sells only vinyl records has a different feel nowadays). The casting is solid ... Kravitz is wonderful as Rob, showing all facets of her complicated and not always "nice" character, and the primary supporters, Da'Vine Joy Randolph (Cherise) and David H. Holmes (Simon), are equally fine. And Kravitz pulls off the "Fleabag" style of talking to the camera without being annoying.

Here is a Top Five Songs Featured in the TV Series list:

"Heart of Glass" turns up in a scene with Debbie Harry that matches a scene in the movie with Bruce Springsteen, right down to the dialogue being almost an exact match:

Bowie's album The Man Who Sold the World is featured in a mid-season episode where Rob fetishizes the album's original pressing (she is thinking of buying a collection from a woman played by Parker Posey who is getting revenge on her husband by selling his records). The album turns up at the end of the season, as well.

At one point, Rob puts on a Swamp Dogg record in the story, claiming "I will now sell five copies of Love, Loss, and Auto-Tune". Immediately, people in story ask, "who is that?"

In a marvelous episode written by Solomon Georgio, Rob gets a suggestion as a DJ to start her night by playing "Automatic":

In that same episode, Simon offers this analysis of Sylvester and "You Make Me Feel (Mighty Real)": "In the 70s, the only way to get a disco song on the radio was if the DJs at the gay bars played it. That was the first time we ever had any say in the record industry. Disco was the sound of liberation."


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