losing it at the movies: last tango in paris (bernardo bertolucci, 1972)
music friday: black history month

geezer cinema/film fatales #75: the photograph (stella meghie, 2020)

The Photograph is a movie about African-Americans, starring African-Americans, written and directed by an African-American, that is about love and romance. If not revolutionary, it at the least stands out among romances with white characters. The film is a bit generic, but adding black characters makes a big difference ... we're seeing something we don't often get at the movies.

The Photograph benefits greatly from its cast. LaKeith Stanfield is building quite the resume, and he is predictably fine here. Issa Rae is known for the HBO comedy Insecure, so The Photograph represents something different for her. She lights up the screen ... even with this cast, she is the best thing about the movie. Lil Rel Howery, Rob Morgan, Chanté Adams, and more ... everyone is at the top of their game.

Stella Meghie tells the story using lots of flashbacks. This again works primarily because of the casting ... when we see characters at two different times in their lives, the actors for each time frame are believably the same person.

The Photograph is low-key, and if you are in the right mood, low-key is probably for the best. But I found the film's pleasures to be mild. See it for the acting, see it for the still-unique concept of a black romance film, but for me, The Photograph rarely got beyond "I'm glad I've watched this". Sure be nice if Issa Rae's star got bigger, though.

(Here is a letterboxd list of Film Fatales movies.)

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