thank you, boch
throwback thursday: six and boomer, born on this day in 2006

geezer cinema: end of the century (lucio castro, 2019)

End of the Century features a slight story that sneakily turns into something else. It takes quite awhile for anyone to speak ... my wife noted that it didn't seem to need subtitles, and the first time someone says something, it's "Kiss", which is helpfully subtitled as "Kiss". After that slow but not boring beginning, End of the Century turns into something of a rom-com, with more rom than com. It's pleasant, and co-stars Juan Barberini and Ramon Pujol are well-matched as the potential couple. Barcelona makes a nice setting for it all, and while I've only been there once, it seemed to me that Lucio Castro (who directed, wrote, and edited the film) chose to feature less-familiar places.

And then ... here I need to offer a spoiler warning, although as is my usual, I'll try to avoid being explicit ... we learn something startling about the two men, and Castro instantly takes us back in time 20 years (without anything specifically telling us he has done this). It's jarring at first, but we quickly settle into the "new" time frame. Mía Maestro (The Strain) turns up and is a strong addition to what is now something of a threesome.

Just as Castro blends 2019 and 1999 without quite drawing attention to itself, he presents sexuality as a blend that doesn't quite draw attention to itself. When we first meet the men, they jump into bed, but both seem to have had a relationship in the past with Maestro's character, and Castro doesn't make a lot of this. There is nothing transgressive about anyone's behavior, they just are.

But Castro isn't done surprising us, and at this point, I don't need to avoid spoilers, because I'm not sure myself what happens in the final section of the film. This is usually a sore spot for me ... I don't like confusing narratives for the most part ... but it all works as part of an examination of love and memory. I may not know what "happens", but I get a lovely sense of how people experience their lives. Real life doesn't always make sense, either, and memories are always questionable. Castro has given us an impressive first feature.


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