music friday: b.b. king, 1968
250 and counting

geezer cinema/film fatales #58: the farewell (lulu wang, 2019)

The latest movie in the weekly trip to the theater that my wife and I have started since she retired. This was my choice. I only recognized two names from the cast, Awkwafina and Tzi Ma, and knew nothing about writer/director Lulu Wang. What I did know is that the film has gotten excellent reviews, which is usually good enough for me. Having now seen The Farewell, I can say those accolades were well-deserved.

The Farewell is the kind of movie I often describe as being known for what it is not. While it is sentimental, it is not overly so, and that emotion does not overwhelm the film. It is touching but not smarmy. You might think a movie about a grandmother dying will be predictable, but The Farewell is surprising without seeming random. Events occur in a natural way, without ever falling into cliché. In essence, The Farewell is a movie that will be appreciated by most people, even if the premise doesn't sound like your cup of tea.

The acting has a lot to do with the film's successes. Awkwafina rises to the challenge of carrying a movie, although the supporting cast is very strong and she is never carrying things on her own. Even better is Zhao Shuzhen as the grandmother. While she is apparently a fairly big star in China, the 75-year-old actor is making what is, to the best of my knowledge, her feature film debut (at the least, it's her first American movie). Everything I say about the film's positive qualities is demonstrated in her performance: emotional, but also funny, touching, but also knowing, unpredictable in the way a character and an actor can make believable. I would also be remiss if I didn't mention Diana Lin, another actor I'd never heard of, who is excellent as a woman who holds her emotions in check.

There's no telling what went on during the making of the movie, but when an entire cast shines, I assume the director had a lot to do with it. Since Wang also wrote the dialogue, I'd say she is the number one reason The Farewell is so good.

(Explanation of the Film Fatales Series. I'm going to have to update this soon.)

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