I've rated and written about five Agnès Varda films here. On a scale of ten, I've given her 8 8 8 9 9. An all-time great film maker.
Cléo from 5 to 7. "Cléo from 5 to 7 isn’t quite as startling now as it must have seemed in 1962, but its essential, existential heart is just as large now as it was then."
Vagabond. Film Fatales #1. "Varda shows us how each individual gets Mona wrong, but she refuses to show us a Mona we can understand. It’s as if such a demonstration would be corrupted by value judgments."
The Gleaners & I. "But what comes through more than anything is the joy Varda takes from the gleaners. At one point, she picks up a broken wall clock with no arms or hands. It would seem useless, but Varda puts it on a mantel in her house, telling us a clock without hands is perfect for her."
The Beaches of Agnès. "The film feels almost tossed off, as if Varda gathered together some source material, filmed a few transition pieces, and had a movie. But after it’s over, when you start thinking about what you’ve seen, you realize how detailed is the film’s construction."
Faces Places."The themes of aging and mortality are present, but Varda makes you want to live a better life, makes you want to appreciate what you have while you still have it."