managing expectations


Recovering files from my old computer and transferring them to the new one, I came across my dissertation. Here is the abstract:

Substituting action for the logical deduction that had become standard for the detective genre in the wake of Edgar Allan Poe, hard-boiled fiction offered a world where heroes acted with a fury that mirrored the chaos they were opposing. Early works validated the usefulness of individual chaotic fury in opposing social chaos, but Dashiell Hammett attempted to use the genre to critique notions of chaotic heroism, while Raymond Chandler steps back from the more radical claims of Hammett’s work, which implicates the detective as well as society as a whole. Chandler’s heroes are always disillusioned not by something as grand as “society” but rather by something quite specific: women, who are desired as damsels in distress but who are eventually exposed as representatives of chaos. In the post-war era, the massively popular Mickey Spillane reduces the art of his forebears to a stripped-down, violent neo-fascism that largely ignores Chandler’s romanticism and completely overturns Hammett’s critique in a celebration of the chaotic fury which Hammett condemned. Even more than in Chandler’s work, Spillane places women at the center of society’s corruptions; unlike Hammett, Spillane allows his hero mostly unqualified success. Robert B. Parker gives his hero a regular and significant love interest, refuses to accept the demonization of women, and attempts to recognize women as partners, if not full-fledged heroines, in his adventures. The novels of Sara Paretsky extend these changes in the genre’s attitudes towards women, merging a feminist vision of women in the late twentieth century, working communally towards common goals, with a vision of the individual on whom society calls when chaos threatens. Rather than rejecting the entire tradition out of hand, Paretsky synthesizes the notion of empowered women in a community, with the individualist notions of the heroes in the genre’s past, attempting to extract the power that comes to those who harness chaos without losing sight of the needs of the oppressed.


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