18th of 20, roughly by chronology.
I chose Dirty Mind over later, perhaps "better", Prince albums because it has a special place in my life. If I were going by the same concept, this 18th album would be Zen Arcade, which I played over and over. Still play it, especially "Turn on the News", one of Grant Hart's best (my fave of his remains "Sorry, Somehow", for the way he sings, "You're making me sorry, sorry somehow, AND I'M NOT SORRY!"). But New Day Rising gets my vote. It's not as sprawling as Zen Arcade, and while Hüsker Dü played in more than one style, the overwhelming sonic power is best when compacted into what we used to call a single disc. The opening cut and title track is in some ways the ultimate Hüsker track ... the entire lyrics being "New day rising" repeated over and over atop a noise squall ... if nothing else, that one must have imprinted itself on my kids' brains, I bet if I mentioned Hüsker Dü to them now, in their 40s, they'd say "New Day Rising!". And there's my favorite of all favorite Hüsker Dü songs, the one I quote regularly because it's the story of my life, but I can't really get it in words, because like with Grant in "Sorry, Somehow", Bob Mould's vocals are crucial:
So now sit around we're staring at the walls
We don't do anything at all
Take out the garbage, maybe, BUT THE DISHES DON'T GET DONE!!!!!!!!
My wife, who loved the Ramones, never liked Hüsker Dü, because of the noise. I'd tell her that they wrote great pop songs, just like the Ramones, and they were loud, just like the Ramones, but she'd say they were just noise. She was probably right. For me, though, the way the sound of the instruments all bleed into each other is the primary appeal.