There was a great SCTV sketch featuring Count Floyd and Monster Chiller Horror Theatre. The movie was one Count Floyd hadn't seen before, Whispers of the Wolf, but he can just tell by the title that we're going to be "scared right out of our pants". It turns out the film is directed by "Ingmar Burgman" and if there's any horror in it, it's of an existential nature.
I can imagine a Creature Features program back in the day running The Amazing Mr. X based solely on the title. Mr. X is Alexis, a psychic who can communicate with dead people. The movie is a hybrid horror/noir, and it seems like the noir aficionados like it more than the horror fans. In truth, there isn't a lot of horror in The Amazing Mr. X, and it is also true that most of its effectiveness comes from the atmospheric setting, which may make it seem more noirish. But other than the look of the film, there isn't much noir in this movie. It's mostly just a well-made B-picture that surprises with decent performances and a plot twist or two. If you caught it late on a Saturday night, you might struggle to stay awake, but if you watch it at a reasonable hour, you'll find a solid little film that gets its work done in 78 minutes.
The excellent cinematography is by John Alton, who won an Oscar a few years later for An American in Paris. Sadly, the movie fell into the public domain, meaning there are a lot of bad prints out there (including the one I watched on Amazon), which does a great disservice to Alton's work.
The cast includes Turhan Bey, once known as "The Turkish Delight", as Alexis, and Lynn Bari, a former WWII pinup girl known as "The Woo Woo Girl", as Christine, the woman he tries to sucker. Cathy O'Donnell, who made They Live by Night the same year, turns up as Christine's younger sister. Toss in 50s sci-fi regulars Richard Carlson and Donald Curtis, and Virginia Gregg, one the great voices of old-time radio who also did the voice of the mother in Psycho, and you have a better-than-average group for a B-movie. 7/10.