Electronic Lover (Jesse Berger, 1966). Why do I bother? Every once in awhile I get the idea of watching some of the movies I'd seen on Creature Features on Saturday night when I was a kid. The problem is, I don't always pick the good movies from the array of choices (and they do exist). Electronic Lover is a sexploitation "nudie". but when I watched it for free on Amazon Prime, all of the nudity was edited out. (As a sign of how much nudity is in the movie, it runs 79 minutes but the Amazon version only lasts 60 minutes.) A sexploitation movie without the nudity pretty much has no reason for being, and I suppose I shouldn't rate this one too low since I saw an expurgated version. But trust me, it is so abysmal I'm positive the nudity wouldn't have helped. A crazed voyeur sends "Brother" out in the world with a hidden camera and watches the results from home. It is so cheap, it almost feels like an avant-garde film. Purely dreadful. 1/10.
Spies-a-Go-Go (aka The Nasty Rabbit) (James Landis, 1964). Another in the long line of Arch Hall movies. Arch Hall Sr. wanted to make movies, and after a couple of decades on the margins of the industry, in the 1960s Hall started cranking out what Wikipedia gently refers to as "some of the worst films ever made". The peak of his filmmaking was Eegah, in which he also starred alongside his son, Arch Hall Jr., and Richard "Jaws" Kiel in the title role. Junior appeared in many of his dad's movies ... he wanted to be a musician, so he'd play several songs, rather like Ricky Nelson in his family's TV show, except Junior didn't have much talent. Spies-a-Go-Go (titled Nasty Rabbit in the copy I saw) tells of a Soviet plot to release rabbits in the U.S. that have been infected with deadly bacteria. I think. The whole thing is played as a slapstick comedy ... bad slapstick comedy, although that probably wasn't intentional. Junior is a teen-idol rocker who is also an undercover spy. Oh, did I mention the rabbit occasionally talks to the audience ... he even gets the best lines (the IMDB only lists one "Memorable Quote", when the rabbit asks us, "I wonder if John Wayne had to go through this to get his start."). It's nowhere as good as it sounds. Richard Kiel pops in again for a cameo. Award-winning cinematographer László Kovács (Easy Rider, Five Easy Pieces, Ghostbusters) turns up as "The Idiot", while his longtime friend Vilmos Zsigmond takes on the cinematography. (They teamed up more than once in the early days of their career, most "notably" when they were both behind the camera for The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies.) Finally, the legendary Liz Renay, who played Muffy St. Jacques in John Waters' Desperate Living, has a substantial role. I really wanted this to be "so bad it's good", but instead it's "so bad it's bad". Still, it's better than Electronic Lover, so 2/10.
But stop ... there's more trivia! In this clip from Spies-a-Go-Go, Junior sings a song accompanied by his band, which included Pat and Lolly Vegas, who later formed Redbone.
Here is Redbone's biggest hit:
And finally, for you youngsters who actually made it this far, a brief reminder of where you've heard that song before:
So there you have it: the connection between Spies-a-Go-Go and Guardians of the Galaxy is exposed!