oscar run: hail, caesar! (ethan and joel coen, 2016)
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music friday: 1967

On February 17 of 1967, three bands started a three-night stand at the Fillmore Auditorium in San Francisco. February 17 was a month after the Human Be-In, and came just a few months before the “Summer of Love”.

Opening was the Canned Heat Blues Band, later shortened to Canned Heat. They were a couple of months from recording what would be their first album release. They appeared at the Monterey Pop Festival in the summer, and at Woodstock two years later. The band’s “classic” lineup was 4/5 full when they played the Fillmore (a new drummer arrived late in the year). Here they are at Monterey Pop:

For another taste of Canned Heat from their second album, check out “Fried Hockey Boogie”.

Next up was The Mothers, who I believe by that point had changed their name to The Mothers of Invention. Their first album, Freak Out!, came out in the summer of 1966. From the start, they were different from pretty much anything you’d heard before. It’s hard to hear the Mothers now, after decades of experiencing Frank Zappa ... his later work colors his beginnings. But he certainly seemed to come out of nowhere at the time. Listen to the first track from their first album, “Hungry Freaks, Daddy”.

The headline act was starting their second week at the Fillmore, having headlined the week before (Jimmy Reed and John Lee Hooker filled out the bill). The Blues Project were an East Coast band with two albums under their belts ... although it wasn’t apparent in February of ‘67, they were falling apart ... they, too, played Monterey, but one key member, the legendary Al Kooper, had already left the band. (Kooper deserves a post of his own, or you can read one of his memoirs ... he is Rock and Roll Royalty if for no other reason than that he played organ on “Like a Rolling Stone”.)

I’m not sure what people would make of The Blues Project now. Their recorded legacy is quite slim. The debut, Live at the Cafe Au Go Go, had only one original song alongside covers by everyone from Muddy Waters to Chuck Berry to Donovan. The follow-up, Projections, was their best, with Kooper and others contributing songs. But after Kooper left, a third album was rushed out that included outtakes, live tracks, and studio tracks with audience overdubs.

Here is perhaps their most famous track, “Flute Thing”, at Monterey (Kooper wrote it, but he’s not with the band ... he was in Monterey, though, you can see him at the end of this video, at 9:53):

If I made a list now that included Jimmy Reed, John Lee Hooker, Frank Zappa and the Mothers, Canned Heat, and The Blues Project, I’d guess The Blues Project would be the least well-known. But they headlined over those other acts for a week and a half at the Fillmore.

Here’s the poster for the show, done by Wes Wilson:

fillmore 2-17-67