The third in the Road series starring Bing Crosby, Bob Hope, and Dorothy Lamour. It turned up on TCM while I was channel surfing, and I have fond memories of it, so it was an easy decision to watch it.
Do the Road Movies need to be explained? Their peak was in the 1940s, when five of the seven movies were released, with the final picture coming in 1962, when Hope and Crosby were almost 60 and Lamour was reduced to a cameo. It’s hard to imagine many people under 50 seeking out comedies from the 40s that were very popular at the time but not considered “classics”, so my guess is there is a need to explain the series. All except the last involved Hope and Crosby stuck is some quandary, during which they’d cross paths with Lamour, with a battle for her heart ensuing. There were songs, Lamour wore sarongs in most of them, and the laughs were non-stop. The movies were ... how about “insouciant”? They were nonsensical, offering parodies of popular genres of the day. There were lots of ad-libs, with Hope often talking directly to the audience. As in Hope’s comedy act, there were plenty of topical references, one reason the films don’t hold up as well as some ... there was no attempt to be timeless. I guess the closest thing in more recent years would be the Naked Gun movies with Leslie Nielsen.
Road to Morocco is thought by some to be the best in the series. I certainly saw it many times on TV when I was a kid. It was nominated for two Oscars, including Best Original Screenplay (if the rumors are true, Crosby and especially Hope, or their writers, deserve a bit of credit for their ad-libs). It was named to the National Film Registry in 1996. Watching it again, I thought it fell a bit short of expectations, and in my memories, my favorite remains Road to Rio (admittedly a minority view).
There is a feeling that anything goes in the Road series. In Morocco, there’s a musical interlude with the three stars where each of their voices comes out of the mouths of others (so you’ve got Lamour with Hope’s voice, or Hope singing as Bing). There are talking camels. Anthony Quinn plays a desert sheik ... wait, that’s not so odd, the Mexico-born Quinn was famous throughout his career for filling whatever ethnicity a movie needed. A running gag in the series has Hope and Crosby playing “patty-cake” as a way to distract bad guys ... this time it backfires, the bad guys are expecting it, leading to the line, “That gag sure gets around”.
I don’t know ... I feel a fondness for the series, and re-watching Road to Morocco was enjoyable. I’m inclined to rate it higher than it probably deserves. 7/10.