This Oscar-winning documentary is a confident piece of work. Not in its subject matter ... Laura Poitras is necessarily paranoid, as is her featured “character”, Ed Snowden. But Poitras assumes she has right on her side. She doesn’t hide her point of view. This is just as well ... the bias is built in.
This is especially important because Poitras is essentially working with Snowden, helping him make his information public. I’m reminded of Under Fire, where a news photographer played by Nick Nolte agrees to falsify a photo to help a revolution in Nicaragua. He knows he has crossed a journalistic line; he does it anyway, although not without some soul searching.
Poitras is inclined to be on Snowden’s “side”. For that matter, so am I. While she is always present, she is never on camera, so it’s possible to forget her role in Snowden’s “crime”. But even if you think Snowden is a hero, and Poitras a champion of the public’s right to know, you have to wonder what parts of the story Poitras is leaving out.
Again, I am one who thinks Snowden’s actions were good. I just wish I trusted Citizenfour more.
On the other hand, just before writing this, I saw a preview for an upcoming film, Snowden, written and directed by Oliver Stone. It is safe to say I am not a fan of Stone’s work. I expect he, like Poitras, will wear his biases on his sleeve. I don’t expect he’ll recognize them as biases, though, and I bet he uses “based on a true story” as an easy way to make that story fit what he wants to say. Which I suppose isn’t that far from Poitras, but if I am a bit mistrustful of Citizenfour, I am over-the-top suspicious of anything with Oliver Stone attached to it. #427 on the They Shoot Pictures, Don’t They list of the top 1000 films of the 21st century. 8/10.
(Explanation of the Film Fatales Series.)