Kwaidan (Masaki Kobayashi, 1964). A series of ghost stories so gorgeous it’s nearly impossible to get any perspective on the quality of those stories. An Oscar nominee for Best Foreign Language Film in 1966 (it lost to The Shop on Main Street), Kwaidan demands our awareness not just of Kobayashi, but also of cinematographer Yoshio Miyajima and art director Shigemasa Toda. I don’t pretend to know who did what, but the result is stunning. Smartly, considering these are ghost stories, Kobayashi et al do not worry about an exact representation of the real. Instead, they use every available trick to augment the film canvas. The colors are brighter than those worn by circus performers, with the screen often particularly awash in the most dazzling reds. Often, I’ll see a movie like this and think of it as what I call a “coffee table movie”, something that looks so pretty you want to put it out on a coffee table for a friend to browse. But those movies are stagnant ... still photos as demo material. Kwaidan moves too much for a still to fully serve as an example. The format also works in its favor. As beautiful as it is to see, I might eventually get bored with 183 minutes of beauty. (There are alternate versions, including the original U.S. release, which simply removed one of the stories.) But the episodic nature of the film breaks those three hours into more manageable periods. And while this movie is slower, more patient, than the usual horror film, nonetheless the growing tension of each ghost story does mean you always want to know what is coming next (even though the plots don’t always make sense ... not sure they should, to be honest). It’s not easy for me to think of any movie that compares to Kwaidan ... at times I thought of Mario Bava’s anthology, Black Sabbath, but Bava’s style is nothing like Kobayashi’s here. Kwaidan is simply one of a kind, at least until someone points me in the direction of something similar. And I haven’t even mentioned the soundtrack, which is frequently so abstract I thought my Bluetooth earphones were broken. #898 on the They Shoot Pictures, Don’t They list of the top 1000 films of all time. 9/10.
Pride (Matthew Warchhus, 2014). 7/10.
We Need to Talk About Kevin (Lynne Ramsay, 2011). 7/10.