music friday: joe cocker, mad dogs and englishmen
what i watched last week

by request: world war z (mark forster, 2013)

This was recommended by a new member of the request club, our new housemate Jen. As is often the case, it was less a request than a recommendation ... I think we were talking about zombie movies, and she mentioned that the zombies in World War Z didn’t move slow. I said I was thinking of watching it, and the next thing you know, I put it on my request list.

Should World War Z be compared to other big special effects extravaganzas (it was an enormous box office success)? Should it be compared to other zombie movies, or even to The Walking Dead, the current work that most impacts popular thinking about zombies? I’d say the latter. It brings a big budget to a small-budget genre, a bit like Terminator 2 after the cheapie Terminator. That budget brings potential added scope to the movie, but as with T2, the added budget doesn’t necessarily guarantee an improvement over the cheap originals like George A. Romero’s The Night of the Living Dead and Dawn of the Dead, or Danny Boyle’s 28 Days Later and 28 Weeks Later. Director Mark Forster had shown the ability to work with small budgets (Monster’s Ball, $4 million) and large budgets (Quantum of Solace, $200 million). World War Z is definitely in the large budget range (another $200 million).

There are some things that the money makes possible. Brad Pitt, for one ... he’s fine in the heroic lead role. On the other hand, he isn’t notably better than the stars of the cheaper films, like, say, Simon Pegg in Shaun of the Dead ($6 million). (The movie also wastes Mireille Enos, burying her with the Wife Who Waits Back Home role.) The thing that Jen mentioned (the speed that the zombies move) is, but not innovative (see 28 Days Later, one of the first movies to have fast zombies). I want to say that a bigger budget allows for scenes like this film’s finest, when the zombie hordes build a mountain of bodies as they try (and eventually succeed) to scale an enormous wall. It’s quite impressive, perhaps the one jaw-dropping moment in the entire movie. But it’s also clearly CGI-driven, which is a technology available to film makers with lesser budgets.

World War Z has the feel and structure of an epic. But, as some critics have pointed out, the most suspenseful moments in the film come at the end, when the setting is confined, the number of zombies is limited, and we’re left with a simple scene that is far from epic, and all the better for it.

Speaking of the actual end of the film, it's a huge letdown.

You could point to the box office returns for World War Z ($540 million) and argue it is a very successful zombie movie. The truth is, though, that there are many zombie movies I’d show before World War Z, if I was having a zombie film festival. Depending on your definition of a zombie movie, that festival would include Night of the Living Dead and Dawn of the Dead, the Evil Dead series, Re-Animator, 28 Days/Weeks Later, and more. 6/10.



I think 28 Days Later is my favorite "new" zombie flick. Not only for the movement.

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