rubicon season (series?) finale
Monday, October 18, 2010
Rubicon’s finale ran under the radar, much as the show has done throughout its first season (no one is watching, and a second season is far from assured). Since it is AMC’s lead-in for Mad Men, and since Mad Men overflows with cultural cache, and since Mad Men also had its season finale last night … well, it’s easy to understand why people who never watched Rubicon in the first place (i.e. most people) ignored the finale.
This is too bad, sure, but really, those of us who became fondly attached to Rubicon long ago accepted that it was never going to be water-cooler material. As many pointed out at the beginning, Rubicon was something of an anti-24, superficially about terrorism and intrigue but without the constant edge-of-your-seat action/violence of 24. Rubicon was 24 for intellectuals, and by that I don’t just mean it was directed towards smart people. Rubicon was about intellectuals … the heroes weren’t emotionally distraught shoot-first-ask-later archetypes, but instead really smart, neurotic office workers who pored over endless piles of intelligence documents, looking for connections. Jack Bauer in 24 suffered for his country and his ideals because he was always having to do things he didn’t want to do, out of respect for his personal code. The workers of Rubicon suffer the way most of us do … working too late, getting wrapped up in the job. Rubicon showed us that the kind of personality good at filtering through intelligence data (super smart, socially inept, good at abstract thinking) was also the kind of personality that fed on itself in such a work environment. It’s not just that no one had a life outside of work … it’s that every slim chance that they might finally escape was overwhelmed by yet another stack of documents. One of the intelligence workers was an addict, but really, they all were, addicted to information, to making connections, to overloading their brains. (Interesting that as the season/series ended, the only one who opted to leave the company was the admitted addict.)
It is understandable that such a show would always walk a fine line between engrossing and boring, and for most of America, the boring side won out. I thought Rubicon did a good job of making us care about scenes where someone thought really hard and looked through lots of papers. But I’m not naïve … I know that Rubicon is not for everyone, that a lot of what made it intriguing guaranteed a small audience, and I know those who ignored Rubicon are just as “right” as those of us who stuck around.
Instant critical reaction to the finale seems a bit negative, and it is true that the ending seemed in some irritating way designed to be unsatisfying to everyone who watched it. I agree that the final episode drew too much attention to the things that never made sense, and that the use of Miranda Richardson’s character as something of a MacGuffin was poorly executed (for one thing, I’m not sure she was a MacGuffin … she may well have been crucial to the narrative). (Although perhaps she was a meta-commentary on the series: you have to follow every lead, but most of them will turn out to be useless.) But the part of the series that drew upon the paranoid movie thrillers of the 1970s? That part was well-served by the finale, and while that ensured that some people would find the ending inconclusive, pessimists like me found it quite appropriate. The final lines would be perfect for the show’s tombstone. Our hero has finally put all of the pieces together, and he tells his boss, the marvelously-named Truxton Spangler (played by the equally marvelous Pulitzer Prize-winning playwright, Michael Cristofer), the mastermind behind the nefarious plot, that he will expose them all by sending the information to the newspapers. “Do it,” says Spangler, before asking, “Do you really think anyone is going to give a shit?” Now THAT is meta. Grade for finale: A-. Grade for season: A-. My prediction is that the show won’t be given a second season … look at how often I used the past tense in the above. But I also predict it will develop a cult following over the years.
I became a huge fan of the series and agree with everything you say above. Not for a lot of people, but if you tune you to good drama television with complex characters you will love this series. The AMC version of 24 indeed.
Posted by: Taylor Moreau | Monday, October 18, 2010 at 03:29 PM
Well, there you go ... you watched it, I watched it, my wife watched it. That's three people ... surely enough to warrant a second season :-).
Posted by: Steven Rubio | Monday, October 18, 2010 at 04:14 PM
I liked it.
Posted by: Johnicon | Thursday, October 21, 2010 at 02:18 PM
We watched it too, and loved it. So that's two more. I sure hope they give it another chance.
Posted by: Patrick Ellis | Saturday, October 23, 2010 at 02:30 PM
I'm going to miss these characters. I was so hoping Katheryn wasn't really dead but would recover. That we would get to know the mysterious woman in the window. Does Spangler eat his gun after getting the 4 leaf clover? I enjoyed every minute in their environment. Hope we get some wrap up sometime in the near future. It would even be great if it was a very long wrap up.
Posted by: Glenda said | Sunday, October 24, 2010 at 12:49 PM
I really enjoyed this show and would hate it if there weren't another season. I looked forward to watching every Sunday. Sure it isn't your typical action-packed adventure story, I like it because its more cerebral, more subtle than your average show. It's too bad that art is judged and decided based on what the largely uneducated, unintelligent, etc. masses like and shows like this can be lost to the wind because most people don't 'get it'. I always thought of AMC as the station with the courage to continue to run shows like this, as they show off-beat movies etc. based on their value to a certain cross-section of society that has been loyal to them over the years. The same cross-section that for instance, reads books, even though most of the world can't be bothered to. It would be nice if every show could be a cult-hit like Mad Men but that isn't the case with the genre that AMC has been depended on for over the years. Even in the past few episodes it seemed like the show was going away from its original plan as writers were undoubtedly encouraged to 'sex the show up'.
Please bring Rubicon back for round 2 and onward and please stay true to the show's intended character. Thanks for listening :)
Posted by: Rube Icon | Monday, October 25, 2010 at 07:20 PM
We agree on the quality of the show, but I can't say I share your contempt for "the largely uneducated, unintelligent, etc. masses."
Posted by: Steven Rubio | Monday, October 25, 2010 at 09:13 PM