Oldboy (Park Chan-wook, 2003). It took me three years, but I finally got to the second film in Park Chan-wook’s “revenge trilogy” (I saw Sympathy for Mr. Vengeance in 2006). I thought the earlier film was the work of a stylish director with little to say. Oldboy is much better. The violence, implied and actual, remains excruciating, but where I said about the first movie that the violence was “cool and pretty,” this time it’s not cool at all … I’d call it gruesome and funny, which I understand is an odd combination. And while Mr. Vengeance had a plot that was at times incoherent and at times shallow, Oldboy’s narrative grabs the viewer from the start and never lets up. And the themes, of love and taboos, and the allusions, to Kafka and Memento, make Oldboy into a full experience. Don’t get me wrong … if screen violence bothers you, stay away from this one. #75 on the They Shoot Pictures, Don’t They list of the top films of the 21st century.