Uruguayan director Fede Alvarez and his team, working on a budget of $10 million, turn out a picture that grossed more than $150 million. Don’t Breathe does such a good job of using atmosphere to deliver thrills that you don’t mind that the story is nothing new.
Three young burglars try to rob the house of a blind Army vet with money. It doesn’t go as planned. The blind man is very resourceful when it comes to dealing with intruders. He also has a few secrets. Alvarez and co-writer Rodo Sayagues do a good job of parceling out information, so that we know the blind man suffered greatly from the loss of his daughter, but the ramifications of this are held back until just the right moment. This is standard stuff for horror films, but the movie is almost done before the predictability takes over.
Stephen Lang as the blind man is the best thing about Don’t Breathe. He is both frightening and sympathetic, at least at first, and he convinces us that he can do the physical acts he performs despite being blind. The three robbers aren’t the usual klutzy doofuses ... they just overreach, and aren’t expecting that blind man to be such a powerful opponent. It’s fun to see Dylan Minnette a year before 13 Reasons Why, and Jane Levy plays ... well, if you don’t know who she plays, you haven’t read much theory about modern horror. (Hint: think Jamie Lee Curtis in Halloween.)
Everything is compact and efficient. Alvarez and cinematographer Pedro Luque offer some elegant visuals in the early going, taking full advantage of what amounts to an old-dark-house setting. And it doesn’t exactly peter out at the end. It’s just that the “surprises” come more and more quickly, so that you begin to expect them, which takes away the scariness. If Don’t Breathe sounds good to you, chances are you’ll like it. But it doesn’t transcend its genre, so it’s not a must-see if you aren’t a fan to begin with. 7/10.