I saw this film and its sequel, 2 Days in New York, in the “wrong order”, having seen the latter four year ago. I don’t think it matters ... both are enjoyable, I might have gotten a bit more enjoyment from New York if I’d known Paris, but they are both standalones.
This truly is “A Julie Delpy Film”. She produced it, she wrote it, she directed it, she starred in it, she composed music for it, she sang one of the songs, she edited it, she cast her parents to play her parents in the film and used their house as their house in the film. (Roger Ebert claimed, “When a women takes that many jobs, we slap her down for vanity. When a man does, we call him the new Orson Welles.”) She has been a film actress since she was a kid, so it’s not like she was new to the world of film. And 2 Days in Paris is a confident film ... Delpy has a feel for how to make a fictional movie seem almost like a documentary, which won’t surprise anyone who has seen her work in the “Before” series.
Adam Goldberg plays a fish out of water, visiting Paris with his French girlfriend and finding himself clueless and suspicious when, as can be expected, everyone speaks in French. He is not instantly likable ... I’m not sure the character ever becomes likable ... but gradually we see how this mildly irritating fellow not only suffers, but is to some extent our representative in the film (speaking only for Americans here). Goldberg also seems like a stand-in for another character, specifically Ethan Hawke as Jesse in the “Before” movies. As Mick LaSalle wrote, “Millions of men have been psychically dating Julie Delpy for years, thanks to ‘Before Sunrise’ and ‘Before Sunset,’ and we've come to accept Ethan Hawke as an acceptable surrogate. But Adam Goldberg in ‘2 Days in Paris’ takes some getting used to.” (In the sequel, Goldberg’s character is gone, and Chris Rock plays the love interest.)
Perhaps it’s unfair to compare 2 Days in Paris to the Linklater films. It has some slight similarities, but that is all. This film is pure Delpy. And she is very fair to her characters. Goldberg may be annoying, but no more so than Delpy’s character. I wish I’d seen this movie when it came out, because my love for Delpy has only grown over the years, and it would have been nice to see her take on the director’s chair. 2 Days in Paris is slight, but engaging, and convinces me I need to see some of her other work as a director. 7/10.
(Explanation of the Film Fatales Series.)