Voices (Ki-hwan Oh, 2007). I decided I should pass some time by watching a Korean horror movie, and ended up here. The plot was pretty goofy, but it snuck up on me, which is to say, it didn’t seem so goofy at first, and by the time I realized it was silly, it was too late. I was already hooked. It’s the kind of horror movie that tosses in something scary and/or gory every dozen minutes to keep your attention, and it worked, since I spent most of the movie oohing and aahing. It’s possible there was supposed to be some larger message here, but if so, I missed it. Voices demonstrates a pretty depressing vision of humankind, but this, too, sneaks up on you; for most of the movie, you think you have someone to root for. By the end, such people were long gone. Not as good as Oldboy or Mother, but still an easy 7/10.
Monsters (Gareth Edwards, 2010). This sci-fi movie couldn’t be more different from Voices. Made for $800k, or $500k, or a lot less than $500k, depending on who you asked, Monsters features two professional actors along with amateurs who may have thought they were in a documentary. It’s about aliens who land in Mexico and turn into giant octopus-looking creatures. It’s the first feature for director Gareth Edwards, who did the special effects in his bedroom using off-the-shelf computer software. And the male lead’s name is Scoot. I assumed it would be akin to a made-for-SyFy Channel movie, only without a big star like Eric Roberts. Boy, was I wrong. Roger Ebert gave it 3 1/2 stars out of 4. Andrew O’Hehir in Salon called it “a dynamite little film, loaded with atmosphere, intelligence, beauty and courage.” It won three British Independent Film Awards. And Edwards was handed the reins for the Godzilla reboot to be released in 2014, which will likely have a slightly larger budget than Monsters. Monsters isn’t quite as good as the above suggests, but it’s certainly better than a SyFy Channel movie. And the final scene with two aliens is unexpectedly moving. I’m giving it the same rating I gave to Voices, but it sure comes at its 7/10 in a different manner from the Korean film.